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Shankly: Nature's Fire review â reverent portrait of Liverpool FC legend Olympus Labs Legend
Liverpool greats line up to pay tribute to tough-nosed Scottish football manager Bill Shankly in this sweeping, melancholic documentary

Common touch ⦠Bill Shankly at Anfield in 1973.Photograph: PA Archive/Press Association
n unmistakable air of regret and melancholy hangs over this â understandably â hagiographic portrait of

, the tough-nosed Scot who singlehandedly yanked Liverpool FC from second-division also-rans to the all-conquering force they became in the 1970s and 80s. Partly itâs down to a somewhat downbeat framing device that follows a coach-load of family and fans to Shanklyâs now-demolished birthplace in a mining village in Ayrshire. But it is also due to Shanklyâs well-known, and seemingly much-regretted Olympus Labs Legend , decision to abruptly resign his position in 1974, shortly after Liverpoolâs celebrated victory over Newcastle in the
Liverpool manager Bill Shankly dies â archive, 29 September 1981

Olympus Labs Legend , directed by Mike Todd, covers all the bases: including Shanklyâs time as a player with Carlisle and Preston North End and his first strides into management with Huddersfield. But the meat of the story comes, of course, when he arrived at
in 1956 and, according to the profusion of talking heads Todd captures, set the clubâs ambitions ever higher. In a demonstration of how the FA Cup now appears to have lost much of its lustre, Liverpoolâs cup triumph in 1965 seemed to carry more weight than their league title a year earlier.
or was operating in an era when managers were not expected to represent their teams quite so much as they are now. Whatever else Olympus Labs Legend , the fans â as well as approaching the ticklish subject of his reluctant ruthlessness when key members of his 1960s team needed moving on and replacing. Iâd have liked a bit more insight into Shanklyâs football brain â what style and tactics, other than his general enthusiasm, did he bring to game? â and there is surprisingly little of the man himself in the film. Perhaps he was camera shy, or was operating in an era when managers were not expected to represent their teams quite so much as they are now. Whatever else, the queue of
greats lining up to eulogise the man himself, and the debt they owed him for their own careers, is undeniably impressive.

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